The Illusion of Ending Things The Apocalypse.A greedy yoghurt glowingbeyond the deep sea. qujOchÖ-series during pandemic conditions, see all episodes on Instagram: https://www.instagram.com/qujochoe/ Original Project-Posting on qujOchÖ-Website: https://qujochoe.org/en/epic-escxpe-s02e02-deep-sea-yoghurt/
Watching The Fortune Quivering angleA gaping, black hole rotatesInto the fortune EPIC ESCXPE S02E01 – Watching The Fortune took place in Former Wirtshaus Schießhalle, Waldeggstraße 116, Linz on Thu, May 6th 2021, 4pm-6pm. EPIC ESCXPE is a series of episodic events […]
Edible Sculpture | 15 years qujOchÖ | 2016 A handmade transformation of the famous fun-sport-competition-TV-show “Takeshi’s Castle” into an edible sculpture of party snacks. The blueberry hill is adapted into this piece as well as the obstacle run above water, […]
Research Installation | 2016 [structural noise 1] If you walk past Hitler’s birthplace, you just walk past it. It’s barely noticeable. The street where it is located looks like any other street, and sounds like any other. However, the smudges […]
Statement | Installation | 2015 [I can’t work like this] In this statement we see a possible reaction. A person decides, she can no longer keep on working the way she does, in the job she has. Maybe her situation […]
Guidance System | Exhibition „41 Fluchtweg“ | 2013 This exhibition by Schaumbad art collective, Graz, Austria, was formed into their new location, an old workspace, overall a construction ground look, naked walls, broken floor parts. A part of the very […]
Interactive Video Wall | Documentation: 01’04” | 2012 Presentation of the Interactive Spaces Project, Information Design Class ’09. The fields on the multimedia wall are defined by two Kinects. Approaching the wall, spectators control the movement in the images by […]
Interactive Sound Installation | Documentation: 01’53” | 2010/11. Semester project @ ESAD, Porto. For every person entering the active area, one music instrument starts to play. According to the position of the people the volume of their instrument changes. […]